When I initially described the effect to my student in the booth, and told her she'd be running all lights and sound for the effect, she literally started to have a panic attack at the thought of that responsibility. Then the bombers flew off behind and to the left. Bombs fell from up high, and exploded all around them, with explosive flashes of light perfectly timed to the sound.
During the bombings on Amsterdam our audience heard the planes approach from behind and to the right. The interface also provided MIDI connection to our ETC Element lighting console, so QLab could send MSC (MIDI Show Control) triggers to the lighting. I used an audio interface to give me 7 distinctive sources of sound - rear of house left and right speakers, left and right speakers in our orchestra pit, left and right speakers behind the set, and our main center cluster. Just an example of what it can do: We did Diary of Anne Frank and I used QLab to control all sound and lights. Their current plan is renting for 110 days equals buying a license. If you search for "QLab After Dark" you'll find a series of 14 video tutorials that touch on a lot of the capabilities of this software. Current cost is $4.00/day, and it accrues towards me owning a copy. I've rented the audio version for my last three production.
Qlab 3 tutorial software#
If you try something with a cue that is not allowed in the free version, the software will flag the cue to let you know. It is worthwhile to download it, and experiment. The free version is very capable for basic stereo sound cues and basic video to one external monitor/projector.
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